“Musical Afternoons on the Ocean Shore”
by Galen Wolf, 1961
“America has always sensed the humor of its early and sometimes haphazard transport. This is found in the ballads such as ‘Old Ninety Seven’ and “Casey Jones.’ Or, in another field, the Toonerville Trolley.
“The Ocean Shore Railroad, for all the desperate need for its services to unlock the landbound coastside was loved; cussed and laughed at in equal proportions.
“About the turn of the century, Half Moon Bay was truly disconnected. The little steam schooners that served as models for Peter Kyne’s ‘Green Pea Pirates,’ had given up.

The long wharf at Miramar (Amesport) was soon in bad condition.
“The road to Half Moon Bay from San Mateo was fine blue macadam as far as the top of the mountain grade. From then on, it was a scraped dirt road. A road of the country, the clay and adobe of the fields.
“In winter, this section was hubdeep with mud. Sometimes four horses hitched to a light spring wagon would wrestle a half dozen crates of artichokes or sprouts to the top of the grade for transshipment.
“The stage had bad days when the going was a wearysome three hours.
“A few years later, Charlie Knapp performed miracles with an old Mitchell, but it was hardly consistent service.
“So the promise of a railroad was an exciting hope to all of the coastside. And what a railroad it was to be! What a joyful, bouncing, squeaking, unreliable and, intensely lovable train it became!
“The main depot at Eleventh and Mission was truly humble.

The rolling stock gathered from who knows what defunct branch lines was varied, but always picturesque.

[Image above: Ocean Shore #7. Orig: SP 138. Later SP 1630 & 064. Sold to Ocean Shore Railway 1906.]
“The engines were really dragons, snorting steaming, belching smoke, leaking steam everywhere and truly fire-breathing. They were the beau ideal for railroad balladry.

“As one left the depot, the train climbed weakly up the gradient of Islias Creek. It then plumped down happily to Salada Beach, Vallemar, Rockaway and Pedro .
“Here serious railroading began. A short tunnel bolstered by dubious timber brought one beyond Shelter Cove.
“Ahead was the formidable monument of granite—Devil’s Slide. It had to be surmounted. It could not be bypassed.
“Now a steep climb above the far ocean, one looked down on the backs of floating gulls, and cormorants in swift flying V’s.
“On the narrow shelf, over half trestles poised in midair, the passage looked as precarious as the footing of a cat burglar on an apartment ledge. Suffice it to say, no train ever fell.
“Once over this dismaying hurdle, the train galloped down the shore plain past newly active Montara, Moss Beach, Princeton, El Granada, Miramar, Half Moon, and became lost at the end of a sprightly trestle at Tunitas.
“What a number and variety of hopeful towns. They were mostly on paper.
“The railroad served the realtors. It served the farmers. But above all, it served the picnickers most happily.
“It was not easy to get about in those days. Whole sections of San Franciscans relied on the limited capacity of the little picnic parks. Shell Mound, Harbor View, Glen Park. We get delightful pictures of those days in Frank Norris and London’s ‘Valley of the Moon.’
“San Francisco was a town of many nationalities. Many of its people were recently from the ‘old country’ and still retained the old ways.
“They formed singing, dancing and musical groups. Turnvereins and Shutzen Vereins. And they dearly valued their social picnics.
“The Ocean Shore RR played up to this need. They ran picnic trains, open flat cars with benches, heaven bless their optimism as regards weather. These cars were filled on Sundays to capacity.
“Now was the scene set that would have delighted Stockton or Norris or London. The Italians, the Germans, the Hungarians, the French, the Irish and the Scots rallied to the depot in compact bands.
“They had their baskets, their wives, children, dogs, and, above all, their music. At stations they favored the nations dismounted en masse and marched to the beaches.
“Here was a glorious romp for all. In sun or in fog, the smoke of beach fires rose, and the sound of music playing made contentment tangible.
“It was a fine start for the day. But grandeur and the glory was in the return.
“In the dying light of the day, the fuming engine dragged its long train from beach to beach. And from the beaches the social and fraternal societies came marching. The day had put them in a splendid mood. They were proud, happy, cohesive and musical.
“At Princeton, the italians came up to the station, accordions swinging and songs Venetian and Napolitan. At Moss Beach, mayhap, the Austrians or Hungarians with fiddles singing, arms waving and seaside flowers in their hats.
“At Pedro, the Caledonians with the pomp of bagpipes and dash of kilts.
“But the German Vereins climaxed the show at Salada. With rhythmic step and full band going before, the tubas blared and the drums rumbled and thumped. A hundred voices would break into ‘Augustin Augustin’ as cheeks puffed and eyes bugged. It was tremendous.
“And then mayhap, through the dark, and the wet mist, the train bore its tuneful cargo, now tired and content, to their homes in the city.
“What happy and innocent days at the turn of the century. The memory is still so good. Disillusioning history still was in the dark unfolded pages of the future.”